See Pink Martini at The Appell Center

• By WITF

Enter to win a pair of tickets to see Pink Martini at The Appell Center’s Strand Theatre in York, PA – Monday, October 14 at 7:30pm!

Contest ends September 30.

Tickets start at: $38

Pink Martini’s “little orchestra” draws inspiration from the romantic Hollywood musicals of the 1940s and ’50s and crosses genres to make an eclectic, modern sound. Their arrangements of Latin music, jazz, cabaret and cinema scores come together in a sound that defies categorization but is guaranteed to get the audience up out of their seats and dancing in the aisles.

This concert will include popular favorites from the band’s 23 year career as well as songs from their latest release, Je dis oui!, taking the audience on a musical trip around the world from France to Iran, Armenia to South Africa and more.

Pink Martini’s History:
In 1994 in his hometown of Portland, Oregon, Thomas Lauderdale was working in politics, thinking that one day he would run for mayor. Like other eager politicians-in-training, he went to every political fundraiser under the sun… but was dismayed to find the music at these events underwhelming, lackluster, loud and un-neighborly. Drawing inspiration from music from all over the world – crossing genres of classical, jazz and old-fashioned pop – and hoping to appeal to conservatives and liberals alike, he founded the “little orchestra” Pink Martini in 1994 to provide more beautiful and inclusive musical soundtracks for political fundraisers for causes such as civil rights, affordable housing, the environment, libraries, public broadcasting, education and parks.

One year later, Lauderdale called China Forbes, a Harvard classmate who was living in New York City, and asked her to join Pink Martini. They began to write songs together. Their first song “Sympathique” became an overnight sensation in France, was nominated for “Song of the Year” at France’s Victoires de la Musique Awards, and to this day remains a mantra (“Je ne veux pas travailler” or “I don’t want to work”) for striking French workers. Says Lauderdale, “We’re very much an American band, but we spend a lot of time abroad and therefore have the incredible diplomatic opportunity to represent a broader, more inclusive America… the America which remains the most heterogeneously populated country in the world… composed of people of every country, every language, every religion.

Featuring a dozen musicians, Pink Martini performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia, New Zealand, South America and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with more than 50 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center, the San Francisco Symphony, the Cleveland Orchestra, and the BBC Concert Orchestra at Royal Albert Hall in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s Frank Gehry-designed Walt Disney Concert Hall, with return for biannual engagements for New Year’s Eve ; four sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in New York City; the Governor’s Ball at the 80th Annual Academy Awards in 2008; three sold out shows with the Sydney Symphony at the Sydney Opera House; multiple sold-out appearances, and a festival opening, at the Montreal Jazz Festival, two sold-out concerts at Paris’ legendary L’Olympia Theatre in 2011; and Paris’ fashion house Lanvin’s 10-year anniversary celebration for designer Alber Elbaz in 2012. In its twentieth year, Pink Martini was inducted into both the Hollywood Bowl Hall of Fame and the Oregon Music Hall of Fame.

Featuring Meow Meow
Named One of the Top Performers of the Year by The New Yorker, the spectacular crowd-surfing tragi-comedienne has been called “Sensational” (TheTimes), “diva of the highest order” (New York Post), “The Queen of Chanson” by the Berliner Zeitung, and “a phenomenon” by the Australian press. Her award-winning solo works have been curated by David Bowie, Pina Bausch, and Mikhail Baryshnikov and numerous international arts festivals. As well as being a prolific music and theatre creator she specializes in the Weimar repertoire and French chanson, and recently appeared as Titania in Emma Rice’s revolutionary A Midsummer Night’s Dream season at Shakespeare’s Globe. She has just performed at the Berlin Philharmonic with Pink Martini, then Brighton Festival with “Souvenir” – a fantastical song cycle she has written with composers Jherek Bischoff and August Von Trapp on the Theatre Royal, then conjured a bespoke creation for Liverpool Culture’s “Sgt Pepper at Fifty” involving the city’s brass bands, a riot and a requiem in a graveyard and her Sleepless Beauties, including designer Andrea Lauer. She appears in NY in July, joins PInk Martini in Madrid and Monte Carlo, then for the entirety of Edinburgh International Festival with her show “Meow Meow’s Little Mermaid”. December 4 is “Meow’s Pandemonium” with the London Philharmonic Orchestra at Royal Festival Hall, and Dec 20 – 31 Shakespeare’s Globe presents “Apocalypse Meow: Crisis is Born”.

Buy Tickets Here!

Contest ends September 30.

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